Malarial shudders of out-rock abstraction from London/SE outfit Mosquitoes, whose name - doubtless familiar to some of you from their previous self-released 7” and single-sided 12” - has really become them: their music being a swarming, insistent, decentralised attack, as mesmerising as it is MALEVOLENT. Dream-dance of the disease-carrying parasites! Their approach is crafty, their bite is real, and good luck trying to swat the bastards. Not sure if this conceit will stretchy any further...It would be tempting to call their minimal, carefully modulated but bracingly violent outpourings dubwise, but that implies cliches of echo and delay that Mosquitoes don’t adhere to: better to call it spatial, each element positioned carefully and moving deliberately in space, be it deeply submerged guitar distortion, the incessant clang of a radiator, or plosive vocal jibber-jabber that manages to sound simultaneously and primal and deadpan (think Keiji Haino, or Alan Vega babbling in his sleep, or The Shadow Ring’s Tim Goss with all his teeth knocked out). Just what kind of music is this? It certainly makes use of rock instrumentation and ecology, but it is ROCK only in so far as Mars and Onna and Taj Mahal Travellers and Jac Berrocal are ROCK - sharing, as it does, a certain vertical quality with musique concrete, industrial, and the avant-garde fringes of post-punk, while its walking basslines and percussion parts situate it firmly in the realm of (psychotic, internally combusting) JAZZ. Just in terms of rhythm, of repetition, of counterpoint and interplay and whatever-the-fuck-you-call-groove-when-it's-definitely-not-groove, this is the most exciting 12" we've encountered all year, a reminder that liberation from the doldrums comes almost always, inevitably, from the GROUP mind. More prosaically, but just as accurately, Ever/Never, the New York label responsible for putting this thing out, compare Drip Water to the work of US Maple, and there are some affinities - even it's just a close-mic'd noirish intensity - with Nate Young's Regressions series too. Dunno, it’s just the real deal, this record - how rare to encounter a band, in this day age, so absolutely in control of their intent, manifestation, and effect. Highest possible recommendation! One-time pressing of 200.